France will not give in, and technology companies don’t want to tear their faces.

　　On the 19th, local time, at the hearing of "301 Investigation" on French digital services held by the Office of the United States Trade Representative (USTR), GAFA (acronym for Google, Apple, Facebook and Amazon) called on France to cancel its digital service tax (DST) plan, calling it a "unilateral and discriminatory attack", and said that the introduction of the tax would greatly increase the operating costs of enterprises.

　　However, a report by Deloitte showed that if the French digital service tax is introduced, consumers will bear the biggest cost, and the platform operators themselves will bear only 5% of the rising cost.

　　In fact, the biggest concern of all the participants is that if France insists on the final approval of the digital service tax, then other countries will follow this tax model, which will effectively hit the development of the US technology industry.

　　However, several experts interviewed by China Business News believe that France will still insist on introducing the digital service tax and will not compromise.

　　Su Qingyi, deputy director and associate researcher of the International Trade Research Office of the Institute of World Economics and Politics of the Chinese Academy of Social Sciences, told the First Financial Reporter that France would not give in easily on the issue of digital tax. "Before the United States put pressure on France, France still passed this draft law. Obviously, American pressure is useless." He said.

　　It is worth noting that at the hearing, on the one hand, Silicon Valley giants urged the United States and France to resolve this tax dispute as soon as possible, on the other hand, they also advised the Trump administration not to retaliate by means of tariffs.

　　French taxation will set a disturbing precedent.

　　According to the text submitted in advance by the participating enterprises and organizations seen by the First Financial Reporter, it is unanimously agreed that the digital service tax introduced by France will set a "disturbing precedent".

　　"Today’s hearing is not only about the French digital service tax, but also about how to prevent the unilateral large-scale introduction of consumption tax." Washington-based lobbying organization — — Jennifer McCloskey, vice president of policy of the Information Technology Industry Council of the United States, pointed out at the hearing.

　　On July 11th, the French Senate voted to pass the bill of digital tax. According to this bill, the global digital business annual revenue exceeds 750 million euros, and enterprises with annual revenue exceeding 25 million euros in France will be subject to 3% digital tax. The bill has yet to be signed by French President Macron.

　　The reason is that technology giants have long benefited from the current European tax system, and tax reform is imperative. However, due to internal contradictions in the European Union, the unified standards were delayed, and the negotiations under the OECD were even slower. In this case, the French government decided to take the lead.

　　At present, in addition to foreign countries, Austria, Britain, Spain and Italy have also announced plans to levy digital taxes. Among them, the British government has also published a draft tax on science and technology services with a tax rate of 2%. Faced with such intensive steps, the Silicon Valley giants are deeply uneasy.

　　At present, French information shows that there are a total of 30 enterprises involved in the collection of science and technology service tax in France, mainly involving American technology giants such as Google’s parent company Alphabet, Apple, Facebook and Amazon, but also involving enterprises from Germany, Spain and the United Kingdom. At the same time, it will also involve a French online advertising platform Criteo.

　　This tax mainly charges for two kinds of behaviors: first, in terms of online transactions, the French side will tax the transactions completed by users in France, such as the purchase behavior on Amazon.fr, or the paying account opening behavior in France (such as using Amazon Prime service). Second, tax users’ advertisements located in France.

　　For Amazon, France represents its second largest e-commerce market in Europe. At the hearing, shields, head of Amazon’s tax planning, pointed out that the French move might be suspected of double taxation.

　　He said that at present, about 58% of Amazon’s sales come from partner companies. If the digital service tax is introduced, these companies will be hit hard, and the tax will "have a negative impact on Amazon and thousands of small and medium-sized enterprises".

　　However, "Amazon can’t afford this." Shields also took this opportunity to reiterate Amazon’s decision. "The company has informed its partners that their fees will increase from October 1."

　　According to French media reports, Amazon France has confirmed that the company plans to pass on the digital service tax to French enterprises that use its retail platform for sales, and will levy a certain amount of commission on these French enterprises.

　　"What France wants to collect is actually the value-added tax related to the place of registration." Zhao Yongsheng, director of the French Center for Economic Research in university of international business and economics and professor of finance, said in an interview with the First Financial Reporter that "France has actually proposed some targeted measures, which are more obvious to Amazon."

　　Zhao Yongsheng explained: "For example, Amazon itself has no freight, but France is afraid that its enterprises are not competitive, so it is illegal for the European Union to pass a law stipulating that online stores have no freight, so now the invoices for goods purchased from Amazon in France will show that it has received a freight of 0.01 euros."

　　However, as mentioned above, Deloitte pointed out in an analysis report that if a digital service tax is levied, the additional cost paid by technology enterprises is not much, around 5%, while the consumer will bear the biggest cost, at 55%, and the remaining 45% will be borne by enterprises using the technology platform, such as advertisers.

　　Trump threatens tariff retaliation, technology companies: please don’t.

　　The above hearing is part of the investigation procedure of "301" digital service tax law initiated by USTR against France, which is the first time that the United States has targeted its western allies in decades.

　　USTR gave three reasons for launching the "301 investigation" against France: First, France wants to introduce the technology service tax for large American technology companies. Therefore, the first major problem of the science and technology service tax is discriminatory.

　　Secondly, there is something wrong with the retrospective principle of digital service tax. According to French regulations, the science and technology service tax will be retroactive to January 1, 2019. This function makes people question its fairness.

　　At the hearing, many technology companies also agreed with this view. Alan Lee, a participant from Facebook, said that this form of taxes dating back to 2019 had never been seen before.

　　Thirdly, the French science and technology service tax deviates from the norms reflected in the American tax system and the international tax system in several aspects, among which the obvious deviation includes: the extraterritorial jurisdiction is not taken into account.

　　At the hearing, usually the hearing party will ask the enterprises attending the hearing to "offer suggestions" for what actions should be taken. At the meeting, we can see the ambivalence of the technology giants: despite repeated complaints, the GAFA giants in the United States do not want the Trump administration to impose punitive tariffs on the EU.

　　"We support the U.S. government’s efforts in investigating these complex trade issues, but urge the U.S. government to conduct it in the spirit of international cooperation ‘ 301’ Investigation, do not use tariffs as a remedy. " Mccloskey pointed out at the meeting.

　　At the end of July, US President Trump threatened that if France imposed a digital service tax, the United States would take retaliatory measures, including imposing tariffs on French wines.

　　The Atlantic Council of the United States pointed out in a report that the products that the United States may take tariff retaliation will involve wine, cheese and perfume.

　　According to data from the French Federation of Wine and Spirits Exporters, France exported 3.2 billion euros of wine to the United States in 2018, and the United States is currently the largest export market for French wine.

　　In this regard, French Finance Minister lemerre previously responded that France’s levy of digital service tax is not aimed at American enterprises, and hopes that the United States will not confuse digital service tax with the imposition of tariffs on French wines.

　　Lemerre pointed out that he hoped that the leaders of France and the United States could reach an agreement on the digital service tax before the Group of Seven (G7) summit in late August.

　　Zhao Yongsheng, who is doing academic research in the field of international financial cooperation in France, believes that it is difficult for countries to reach an agreement on the issue of digital tax at this G7 meeting: "The economic types of Britain, the United States and continental Europe are different. The former is based on the market, while the latter is based on consortia. It is difficult to unify one by the market and the other by the government. On the one hand, a large number of European headquarters of technology companies are registered in Ireland, but Ireland does not belong to G7 Group. Moreover, the French digital economy itself is not developed, and the digital tax is more targeted at the United States. However, the United States has already expressed dissatisfaction before, and Macron does not want this G7 to break up. "

　　Xinhua News Agency, Beijing, April 21st

Join hands to meet challenges and cooperate to create the future.

— — Keynote speech at the opening ceremony of the 2022 annual meeting of Boao Forum for Asia

(Beijing, April 21, 2022)

Chairman People’s Republic of China (PRC), Supreme Leader

　　Dear Heads of State and Government,

　　Dear heads of international organizations,

　　Dear directors of Boao Forum for Asia,

　　Ladies and gentlemen,

　　Ladies and gentlemen, friends,

　　It’s a great pleasure to meet old and new friends in the "cloud" again and attend the 2022 annual meeting of Boao Forum for Asia. First of all, on behalf of the government of China and the people of China, and in my own name, I would like to extend my sincere welcome to the guests attending the annual meeting! Warm congratulations on the convening of the annual meeting!

　　At present, the change of the world, the change of the times and the change of history are unfolding in an unprecedented way, which poses challenges to mankind that must be taken seriously. Human beings have not yet walked out of the haze of the epidemic in the century, and are facing new traditional security risks; The global economic recovery is still fragile and weak, and the contradiction of increasing development gap is superimposed; Climate change and other governance deficits have not been filled, and new topics such as digital governance are before us. In this context, the theme of the annual forum is "Epidemic and the World: Promoting Global Development and Building a Shared Future", which is of great significance.

　　"If you are safe, you will not change your mind." Human history tells us that the more difficult it is, the more we must strengthen our confidence. Contradictions are not terrible. It is contradictions that promote the progress of human society. No difficulties and twists and turns can stop the wheel of historical progress. In the face of many challenges, we must never lose confidence and hesitate to retreat, but we must strengthen our confidence and forge ahead bravely.

　　Ladies and gentlemen, friends!

　　Rushing out of the fog to the light, the most powerful force is to work together, and the most effective method is to work together. Over the past two years, the international community has made strenuous efforts to meet the challenge of COVID-19 epidemic and promote the recovery and development of the world economy. Difficulties and challenges further tell us that mankind is a community of shared destiny. All countries should conform to the trend of the times of peace, development, cooperation and win-win, move in the right direction of building a community of human destiny, and work together to meet the challenges and create the future through cooperation.

　　— — We should jointly protect human life and health. People’s life safety and physical health are prerequisites for human development and progress. It still needs hard work for mankind to completely defeat the COVID-19 epidemic. Countries should support each other, strengthen the coordination of epidemic prevention measures, improve global public health governance, and form a strong international synergy to deal with the epidemic. It is necessary to adhere to the attributes of vaccines as global public goods and ensure the accessibility and affordability of vaccines in developing countries. China has provided more than 2.1 billion doses of vaccines to more than 120 countries and international organizations. Whether providing vaccines to foreign countries or producing vaccines overseas, China always keeps its word and does what it says. China will continue to provide 600 million doses of vaccines to Africa and 150 million doses to ASEAN, making active efforts to bridge the "immunization gap".

　　— — We should jointly promote economic recovery. The COVID-19 epidemic has had a great impact on the global poverty reduction achievements in the past 10 years. The uneven recovery has aggravated global inequality and the North-South gap has continued to widen. We must persist in building an open world economy, grasp the general trend of economic globalization, strengthen macro-policy coordination, use science and technology to enhance kinetic energy, maintain the stability of global industrial chain supply chain, prevent some countries’ policy adjustments from having serious negative spillover effects, and promote global balanced, coordinated and inclusive development. We must persist in taking the people as the center, give priority to promoting development and ensuring people’s livelihood, and put whether it is beneficial to people’s livelihood and well-being in the first place when implementing policies, taking measures and carrying out actions. We should pay attention to the urgent needs of developing countries, promote pragmatic cooperation in key areas such as poverty reduction, food security, development financing and industrialization, and strive to solve the problem of insufficient development imbalance. Last year, I put forward a global development initiative, which was echoed and supported by international organizations such as the United Nations and nearly 100 countries. We are working with the international community to steadily push forward the implementation of the initiative.

　　— — We should jointly safeguard world peace and tranquility. "Governing the country is often rich, while chaotic countries are often poor." Security is the premise of development, and human beings are an inseparable security community. Facts have proved once again that the cold war mentality will only undermine the global peace framework, hegemonism and power politics will only endanger world peace, and group confrontation will only aggravate the security challenges in the 21st century. In order to promote world security and common prosperity, China would like to put forward a global security initiative here: we should adhere to the common, comprehensive, cooperative and sustainable security concept and jointly safeguard world peace and security; Adhere to respect for the sovereignty and territorial integrity of all countries, not interfere in other countries’ internal affairs, and respect the development path and social system independently chosen by the people of all countries; Adhere to the purposes and principles of the UN Charter, abandon the Cold War mentality, oppose unilateralism, and refrain from group politics and camp confrontation; Adhere to the legitimate security concerns of all countries, uphold the principle of indivisibility of security, build a balanced, effective and sustainable security architecture, and oppose building domestic security on the basis of insecurity in other countries; Adhere to the peaceful settlement of differences and disputes between countries through dialogue and consultation, support all efforts that are conducive to the peaceful settlement of the crisis, refrain from double standards, and oppose the abuse of unilateral sanctions and "long-arm jurisdiction"; Adhere to the overall maintenance of traditional and non-traditional areas of security, and jointly deal with regional disputes and global issues such as terrorism, climate change, network security and biosafety.

　　— — We should jointly meet the challenges of global governance. All countries in the world are on a big ship with a common destiny. If they want to cross the stormy waves and sail for a bright future, they must help each other in the same boat. It is unacceptable to try to throw anyone into the sea. Today, the international community has become a complicated, exquisite and organic machine. Dismantling a component will make the whole machine run with serious difficulties, and the people who are demolished will be damaged, and so will the people who are demolished. In today’s world, any unilateralism and extreme egoism are simply not feasible. Any act of decoupling, cutting off supply and exerting extreme pressure is simply not feasible. Any "small circle" and ideological line-drawing to provoke confrontation are also simply not feasible. We should practice the concept of global governance, promote the common values of all mankind, and advocate exchanges and mutual learning among different civilizations. We must adhere to true multilateralism and firmly safeguard the international system with the United Nations at the core and the international order based on international law. In particular, big countries should set an example, take the lead in stressing equality, cooperation, honesty and the rule of law, and show the appearance of big countries.

　　Ladies and gentlemen, friends!

　　The people of Asia have experienced hot wars and cold wars, and they have experienced many vicissitudes and hardships. They know that peace is precious and development is hard-won. In the past few decades, the Asian region has remained generally stable, and the economy has continued to grow rapidly, which has achieved the "Asian miracle." Asia is better than the world. We will continue to develop and build Asia well, show its resilience, wisdom and strength, and build an anchor for world peace and stability, a source of growth and a new highland for cooperation.

　　First, firmly safeguard peace in Asia. Regional peace and stability did not fall from the sky, nor was it a charity from any country, but was the result of the joint efforts of regional countries. Today, the Five Principles of Peaceful Coexistence and the "Bandung Spirit" initiated by Asia have more practical significance. We should uphold the principles of mutual respect, equality and mutual benefit, and peaceful coexistence, pursue a good-neighborly and friendly policy, and firmly hold our destiny in our own hands.

　　Second, actively promote Asian cooperation. Asian country proverbs say, "Climb together when encountering mountains, cross together when encountering ditches" and "Sugarcane grows in the same hole, and citronella grows in clusters". Win-win cooperation is the only way for Asia to develop. The Regional Comprehensive Economic Partnership Agreement came into effect, and China-Laos Railway was completed and opened to traffic, which effectively improved the level of regional hard connectivity and soft connectivity. We should take this opportunity to promote the formation of a more open big market in Asia and take new steps to promote win-win cooperation in Asia.

　　Third, jointly promote Asian unity. Replacing zero-sum games with dialogue and cooperation, replacing closed exclusivity with openness and tolerance, and replacing egoism with exchanges and mutual learning, this is the heart and tolerance that Asia should have. We should consolidate ASEAN’s central position in the regional structure and maintain a regional order that takes into account the demands and interests of all parties. All countries, big or small, strong or weak, both within and outside the region, should add color to Asia without adding chaos, and they should all take the road of peaceful development, seek win-win cooperation and create a United and progressive Asian family.

　　Ladies and gentlemen, friends!

　　More than two months ago, China presented the simple, safe and wonderful Beijing Winter Olympics and Paralympic Winter Games to the world, bringing warmth and hope to people all over the world. In the second half of the year, we will hold the The 20th National Congress of the Communist Party of China（CPC） to draw a blueprint for the future development of China.

　　The fundamentals of China’s strong economic resilience, sufficient potential, wide room for manoeuvre and long-term improvement will not change, which will provide strong momentum for the stabilization and recovery of the world economy and provide broader market opportunities for countries. China will fully implement the new development concept, accelerate the construction of a new development pattern, and strive to promote high-quality development. No matter what changes take place in the world, China’s confidence and will in reform and opening up will not waver. China will open wider to the outside world at a high level, thoroughly implement the negative list of foreign investment access, expand the scope of encouraging foreign investment, optimize foreign investment promotion services, and set up a comprehensive pilot project to expand and open the service industry. China will solidly promote the construction of the Pilot Free Trade Zone and Hainan Free Trade Port, meet the international high-standard economic and trade rules, and promote institutional opening. China will fully implement the Regional Comprehensive Economic Partnership Agreement, promote the negotiation and signing of high-standard free trade agreements with more countries and regions, and actively promote its accession to the Comprehensive and Progressive Trans-Pacific Partnership Agreement and the Digital Economy Partnership Agreement. China will adhere to the goal of high standards, sustainability and benefiting people’s livelihood, and actively promote the construction of the Belt and Road with high quality. China will unswervingly adhere to the path of peaceful development and always be a builder of world peace, a contributor to global development and a defender of the international order.

　　Ladies and gentlemen, friends!

　　The ancients in China said that if you travel every day, you are not afraid of thousands of miles; Do it often, not afraid of thousands of things. As long as we work together with one heart and one mind, we will surely gather the great strength of win-win cooperation, overcome various challenges on the road ahead and usher in a brighter and better future for mankind.

　　Thank you all.

The Prime Minister Liu Luoguo, which was broadcast in 1996, was popular all over the country and influenced a generation of viewers.

Liu Luoguo did exist in history. He was a famous minister of the Qing Dynasty, Liu Yong. After Qianlong and Jiaqing dynasties, he was an official with He Shen.

What is being broadcast nowLiu Yong Chasing the CaseIt is also his story, and the styles of the two plays are somewhat similar.

　 　 　 　

　 　 　 　

In today’s market environment, you can also see the high-cost drama starring He Bing, and you can also see the long-lost Qing Dynasty official drama. The excitement and expectations have been raised a lot, but7 episodes, it is hard to hide disappointment.

The official dramas and historical dramas of the Qing Dynasty were once one of the most vigorous dramas in the history of China’s TV dramas, which contributed countless classics, showed humanistic concern, and even included people’s wisdom and enlightenment. But now it is almost extinct, and it is hard to appear, and it has lost its former glory and strength.

Welcome to the "Phoenix Net Index-Comprehensive List of Movies" applet, and express your views on "Liu Yong Chasing the Case" ~

Long-lost historical drama

At the end of the last century and the beginning of the new century, China is at the juncture of economic transformation, and all kinds of ideas collide, and the creation of various types of domestic dramas has reached its peak. Among the flowers, historical dramas are also included.

In 1991, Taiwan Province and the mainland co-produced "The Story of the Dragon", which opened a precedent for the drama of the mainland and became popular on both sides of the strait.

　 　 　 　

　 　 　 　

Since then, there has been an upsurge in the creation of historical dramas, and a series of classic dramas have been born one after another.

In addition to Prime Minister Liu Luoguo in 1995, there are Kangxi’s Private Visit in 2000, Ji Xiaolan with Iron Teeth and Copper Teeth in 2001, Li Wei’s Being an Official, and Happy Doctor in 2003.

These historical dramas are in sharp contrast with some historical dramas at that time, such as Yongzheng Dynasty (1999), Yu Chenglong, a generation of honest officials (2000), Kangxi Dynasty (2002), The Granary of the World (2002) and Towards the Republic (2003).

The so-called "joke" refers to the fact that the creator does not completely rely on the authenticity of historical records, and does not abide by the limitations of historical environment on characters; It focuses on the attitude of the creators, includingThe unconstrained folk imagination and free play.

Just like the ending song "Things in the Story" of "Prime Minister Liu Luoguo" sings-

Things in the story, if you say no, you don’t, yes and no. What happened in the story may be true. What happened in the story may have never happened. In fact, a story is a story, and a story is a story.

　 　 　 　

　 　 　 　

Of course, joking doesn’t mean nonsense. Just as Liu Heping, a famous writer of historical dramas, said, "The audience likes joking, but we also have a principle: the characters emphasize joking, but the historical background is real and the audience will."Feel the true sense of history under the fictional comedy plot.That is to say, to play well, but also to chew. "

The beauty of a joke drama mainly stems from its comic effect and the rivalry between officialdom, which often forms a contrast through the harmonious conflict between characters.

　 　 　 　

　 　 　 　

The "chewing head" of the joke drama lies in that it relies on the real historical background and characters, and through the confrontation, balance and compromise between the monarch and the minister and between loyalty and traitors,Deeply understand the essence of China’s ancient officialdom.

For example, in the relationship between Ji Xiaolan-He Shen and Liu Yong-He Shen, Gan Long is the mediator.

In many storms, He Shen always got away with it. It’s not that Qianlong didn’t know he was corrupt, but that Qianlong enjoyed He Shen’s flattery and was handy, and he also needed to use He Shen to balance the courtiers’ relationship. The subtlety between the monarch and the minister is quite interesting.

In "Ji Xiaolan with Iron Teeth and Copper Teeth", the part where the sand is scattered by the dragon is praised so far.

　 　 　　

Comedy and satire are just one side of this kind of drama.

The whole drama "Prime Minister Liu Luoguo" laughs and curses, criticizes the current disadvantages, and finally ends in sadness and desolation. The prosperous time has been obviously decadent, a generation of emperors have white hair and tears, and a generation of famous ministers have gone home.At that time, the drama could tell the rise and fall with jokes.

　 　 　　

　 　 　 　 　

Liu Yong Chasing the Case is better than nothing.

Liu Yong Chasing the Case has many shortcomings, but the opening story is very interesting.

During the Qianlong period, there was a pile in Shandong."False transmission of imperial edicts and seizure of officials"In the major case, Cai Yongchang, the magistrate of Dongchang, was seized by a bunch of "fake officials" and mysteriously disappeared on his way to Beijing to plead guilty. Millions of stolen silver also disappeared.

Hearing this, Qianlong (Huang Haibing) was furious and ordered Liu Yong (He Bing) to solve the case or deal with it according to law, and arranged for Fu Guotai (Li Naiwen), the governor of Shandong Province, to cooperate with He Shen (Alvin) in the investigation.

　 　 　 　

This big case is interspersed with countless small cases.It is a challenge for the screenwriter’s ability to control.

The category of "Prime Minister Liu Luoguo" and "Li Wei is an official" is closer to the unit drama, and every few episodes tell a short story.

Liu Yong Chasing the Case still retains several core features of Liu Luoguo, the Prime Minister: comedy, detective work, and the appearance of officialdom.

But in either case, it’s a little tasteless.

In the past, there were central protagonists and villains in official operas, so Ji Xiaolan’s story can be without Liu Yong, but there must be He Shen and Liu Yong’s story. One is right and one is evil, and the contradiction runs through.

But in Liu Yong Chasing the Case,Who are the core villains and what power they have? So far, they have not been shown.He Shen and Fuguotai are all like a cursory tour.

　 　 　 　

　 　

Liu Yong Chasing the Case claims to be a light comedy, and Liu Luoguo in Prime Minister Liu Luoguo also has humor, but he is a kind of cold humor. Most of the time, Liu Yong is a wise image of the elderly, and the comedy part is mainly played by He Shen.

　 　 　 　

　 　

In "Liu Yong Chasing the Case", He Shen doesn’t appear much at present, and the comedy mainly focuses on Liu Yong and his servant Xi ‘er. The two of them will talk about simple and honest Shandong dialect for a while, and Beijing dialect that will tease the poor for a while, which is a bright spot.

So compared with Liu Yong in Li Baotian,He Bing version of Liu Yong has a little more humor, which will make people feel a little "hard" in the performance.

For example, Liu Yong fascinated Fu Guotai and He Shen so as not to interfere with the trial of prisoners. After Fu Guotai and He Shen woke up, Liu Yong also pretended to be drunk.

Here, He Bing’s version of Liu Yong’s performance is a little "playing the fool and being fully distracted", and he always smiles at the two adults.

　 　 　　

On the contrary, He Shen and Fu Guotai appear "stable".

　 　 　

It’s not that He Bing’s performance is not good. Frankly speaking, few actors can hold the role now. But rather,The writer’s positioning of Liu Yong forced the actors to express their comic features.

Exploring the case is the weakest part of Liu Yong Chasing the Case.

Especially in contrast to He Bing’s Da Song Tiaoguan, the handling of detective cases in Liu Yong Chasing Cases is relatively childish.

All kinds of cases in the play-mainly the bizarre deaths of people related to the cases-have only one purpose, which hinders Liu Yong from seeking the truth and drives Liu Yong away from Shandong. But in the first few episodes, the main cause of bizarre death turned out to be being bitten by a poisonous insect.

　 　 　　

At this time, the role of poisonous insects is almost "fantasy": poisonous insects can not only bite people accurately, but also basically die as soon as they bite people. The method of detoxification is more mysterious, and drinking some water will be fine.

　 　 　 　

　　

This is actually the writer’s laziness or incompetence.It is impossible to conceive suspense more skillfully and reasonably., can only come up with a fantastic poisonous insect.

Looking at the leopard from a peep, the design in the play looks like that, but it can’t stand scrutiny.

For example, in the first episode, Liu Yong and Xi ‘er were fishing by the river, and they saw several bandits carrying a girl. They were unarmed and didn’t know kung fu. As a result, Liu Yong shouted the illusion on the spot, causing the bandits to want to kill them. If a bodyguard hadn’t suddenly appeared, the first episode would have been the finale.

　 　 　

Officialdom in the sky, "Liu Yong Zhuan" also has details.

For example, at the beginning, Ganlong recruited Liu Yong to investigate the case, and asked Liu Yong in front of Fu Guotai: Fu Guotai didn’t find out for a month, should he be punished?

　 　 　 　

Liu Yong was careless and didn’t jump into the pit dug by Qianlong, nor did he embarrass Fu Guotai face to face.

　 　 　 　

this isPhilosophy of getting along with officialdom, an emperor will not really cure the crime of wealth and prosperity; Second, Fu Guotai is the governor of Shandong, and he is deeply rooted in the local area. Liu Yong cannot offend him if he wants to go to Shandong. Third, Liu Yong may not be able to do a good job in the case. Now he helps the rich and the country get away with it, and he will have a way out in the future.

However, in the past, there were more profound criticisms on the relationship between monarch and minister and the people’s hearts. For example, many screenshots in Ji Xiaolan with Iron Teeth and Copper Teeth were widely circulated.

　 　 　

In contrast, Liu Yong Chasing the Case is still less penetrating and profound at present. itIn essence, it is a story of loyal monarch and loyal minister..

　 　 　　

playBai Bing plays Gege and Liu Yong’s wife.At present, it seems like afaulty stroke (in calligraphy). This lady is unruly and willful. Liu Yong went to Shandong to handle a case on orders, but she didn’t dare to tell her, for fear of being stopped.

My wife thinks that Liu Yong is in danger in Shandong, so she wants to bring him back to Beijing, which has little effect except making the audience angry and keeping the water running for a long time.

　 　 　　

But in any case, "Liu Yong Chasing the Case" made many viewers feel.Retro atmosphere.

In recent years, under the impact of other types of TV dramas, the influence of the "ancient restrictions" and the tightening of the creative environment, this kind of joke drama relying on the real historical background and characters has almost disappeared. If there is, it may also face difficulties in broadcasting.

Poor creation cultivates poor aesthetics, and also makes works with substance lose the market.

What’s more, in the era when Xiaorou plays the leading role and powerful actors play the supporting role, there are also dramas in which Mesozoic actors take the lead and have no traffic, and it is true that one is missing.

Liu Yong Chasing the Case can only be said that talking is better than nothing.

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Original publicity center, Zhejiang University Children’s Hospital of Pediatrics Department

"The child was hospitalized for pneumonia several times this year.

I really don’t want to experience it again … "

"I get nervous when I see him coughing."

In winter, the temperature changes greatly, and respiratory diseases gradually enter a period of high incidence. Unfortunately, bacteria, viruses and mycoplasma can’t be prevented. Many parents have already started to feel anxious ahead of time, and they have said that their children have been accidentally recruited several times this year, which is really scary.

After many inquiries, I heard that the vaccine is effective in preventing pneumonia, but many parents still have doubts about it.

"In response to pneumonia in children, vaccines are indeed the key." Ji Chai, deputy director of the Children’s Health Department of Zhejiang University Children’s Hospital, said, "All kinds of infectious sources such as viruses, bacteria, fungi and mycoplasma can cause pneumonia. The more common pathogens are influenza virus, respiratory syncytial virus, adenovirus, streptococcus pneumoniae, Haemophilus influenzae type B (Hib), mycoplasma pneumoniae and so on. At present, there are corresponding vaccines for influenza virus, Streptococcus pneumoniae and Haemophilus influenzae type B (Hib), which can help children establish an immune barrier against these three pathogens and effectively reduce the probability of severe illness. "

So, which children need to be vaccinated? Is it necessary to vaccinate them all? How to choose a variety of influenza vaccines, pneumonia vaccine and Hib vaccines? When is the best time for vaccination? We specially invited Deputy Chief Physician Ji Chai to answer the questions of parents in detail.

Ji Chai, Deputy Director of Child Health Department, Deputy Chief Physician.

Specialty: Follow-up of high-risk infants, immunization consultation and follow-up of children with William syndrome.

Research fields: nutrition and development monitoring of premature infants, phenotype and gene related research of William syndrome, and safety and effectiveness of vaccination for children with special health conditions.

Outpatient time: Wednesday and Friday morning, Thursday afternoon (lakeside campus)

01

What is the principle of vaccine?

Vaccine is a preventive biological product made of pathogenic microorganisms (such as bacteria, viruses, etc.) and their metabolites by artificial attenuation, inactivation or transgenic methods to prevent infectious diseases. The vaccine retains the characteristic that pathogenic microorganisms stimulate human immune system, that is, immunogenicity. When people are vaccinated, the immune system will produce certain protective substances, such as immunocompetent substances and corresponding antibodies. When the human body comes into contact with the corresponding pathogenic microorganisms again, the protective substances produced will play a role in preventing the harm of pathogenic microorganisms to the human body.

02

Which children suggested playing?

Influenza vaccine/pneumonia vaccine /Hib vaccine?

Influenza vaccine: Influenza is different from common cold. It is an acute respiratory infectious disease caused by influenza virus, which is very harmful to human health. People are generally susceptible to influenza virus, and timely influenza vaccination is an effective means of prevention.

If children over 6 months old have no contraindications to vaccines, it is recommended to get the flu vaccine.

Pneumonia vaccine: Pneumococcal infectious disease is one of the common diseases. According to the survey, the incidence of pneumonia caused by Streptococcus pneumoniae in children and the elderly over 60 years old is three times that of young people, and about 2.5 million people suffer from pneumococcal pneumonia every year.

Pneumococcus is widely distributed in nature, and it is a typical opportunistic pathogen, mainly transmitted directly by respiratory droplets or infected by colonization bacteria. 30% or more healthy people will carry pneumococcus in the nasopharynx without getting sick, but when the body’s resistance drops, pneumococcus is easy to take advantage of it and cause serious diseases such as pneumococcal pneumonia, otitis media, meningitis and septicemia.

Children under 5 years old, especially infants under 2 years old, are particularly vulnerable to this pathogen because their autoimmune function is not yet fully developed. Secondly, the elderly over 65 years old and people with low immunity are also high-risk and susceptible groups of pneumococcal diseases.

Hib vaccine: Hib is a common pathogen in respiratory tract, which is mainly transmitted directly through droplets. After infection, it can not only cause non-bacteremia pneumonia, otitis media, sinusitis and conjunctivitis, but also lead to invasive diseases, mainly manifested as meningitis, pneumonia, bacteremia, cellulitis and other multi-system and multi-site infections. In 2000, Haemophilus influenzae infection caused 371,000 deaths worldwide, most of which were children under 5 years old.

According to epidemiological studies, Hib mainly invades children under 5 years old and infants, especially infants under 18 months old, and the peak incidence is concentrated in 6-12 months old. Hib vaccine is suitable for children from 2 months to 5 years old. Vaccination with this vaccine can effectively reduce pneumonia, meningitis and even death caused by Haemophilus influenzae infection in children.

It should be noted that both the pentavaccine and the quadruple vaccine contain Hip vaccine, so there is no need for repeated vaccination.

03

Multi-influenza vaccine/pneumonia vaccine /Hib vaccine

What is the difference?

Influenza vaccine: tetravalent influenza vaccine, compared with the original trivalent influenza vaccine, has one more influenza virus strain to prevent, and besides influenza A H1N1, H3N2 and BV strains of trivalent influenza vaccine, there is also one more influenza B BY strain.

The tetravalent influenza vaccine suitable for 6 -35 months old brings more comprehensive protection against influenza virus to infants in the younger age group, and two doses are required, with an interval of 4 weeks.

Pneumonia vaccine: pneumonia vaccine mainly includes two kinds: 13-valent pneumococcal polysaccharide conjugate vaccine and 23-valent pneumococcal polysaccharide vaccine. It can prevent pneumonia and related infections caused by 13 and 23 corresponding serotypes of Streptococcus pneumoniae infection respectively.

The prevention scope of the two vaccines is different from that of the vaccinated population: 13-valent pneumonia vaccine can prevent pneumonia caused by 13 serotypes of Streptococcus pneumoniae, such as 1, 3, 7F and 9V; The range of prevention of 23-valent pneumonia vaccine is relatively wide, which can prevent pneumonia caused by 23 serotypes of Streptococcus pneumoniae. However, the 23-valent vaccine is a polysaccharide vaccine, and the immune response of children under 2 years old to polysaccharide antigen is weak, so the 23-valent vaccine can not protect them.

At present, the 13-valent pneumonia vaccine is mainly suitable for infants and children from 6 weeks to 5 years old; The 23-price pneumonia vaccine is suitable for children and adults over two years old.

Hib vaccine: Haemophilus influenzae type B conjugate vaccine There are three other conjugate vaccines at present, including acellular DTaP-Hib, adsorbed acellular DTP inactivated polio and Haemophilus influenzae type B conjugate vaccine (DTaP-IPV/Hib), and AC group meningococcal polysaccharide (conjugate)-Haemophilus influenzae type B conjugate vaccine (conjugate).

04

How long is the validity period of influenza vaccine/pneumonia vaccine /Hib vaccine?

Do I need to call every year?

The flu vaccine needs to be given every year. On the one hand, the epidemic subtype of influenza virus changes every year, and it is easy to mutate. Last year’s vaccine may not be able to resist this year’s virus subtype well.

On the other hand, the protective antibodies produced after vaccination can last for 6 ~ 8 months, and will gradually weaken over time. Only by vaccination every year can we obtain continuous immunity.

For children, pneumonia vaccine and Hib vaccines don’t need to be vaccinated every year, just complete the prescribed vaccination procedures according to the corresponding instructions.

05

Influenza vaccine/pneumonia vaccine /Hib vaccine

Is it necessary to call them all?

It is necessary. At present, these three kinds of vaccines belong to vaccines outside the national immunization program and are vaccinated voluntarily, so the vaccination rate of the population is still very low, and the population is generally susceptible. If there are no contraindications, vaccination is recommended.

06

Have been infected with influenza virus/Streptococcus pneumoniae/

Haemophilus influenzae type B, do you still need a vaccine?

You still need to be vaccinated. Because these three pathogens have different serotypes, each infection is only one of them, and it is impossible to produce protective antibodies against all serotypes after infection, and the vaccine contains a variety of common susceptible serotypes, which has a wide range of protection, so it is suggested that the corresponding vaccine should still be vaccinated after infection.

07

Can influenza vaccine/pneumonia vaccine /Hib vaccine be vaccinated at the same time?

These three vaccines are inactivated vaccines, which are out of the national immunization program, and can be vaccinated at the same time in principle.

08

When is the best time to get vaccinated,

Is it too late to call now?

Influenza vaccine does not take effect immediately after vaccination, and it takes 2-4 weeks to produce protective antibodies. Generally speaking, November-December is the high season of influenza every year, so September-October is the best vaccination time. Of course, the baby can still be vaccinated at any stage of the epidemic season, which can produce protection.

Pneumonia vaccine: The best age for 13-valent pneumonia vaccine is 6 weeks after birth, and for 23-valent pneumonia vaccine, it is 2 years old. If you need to vaccinate again, you need to wait five years.

Hib vaccine: The best age for vaccination is 2 months after birth.

09

Can you prevent pneumonia 100% after vaccination?

That’s not true. Although the vaccine can prevent most people from being infected, the protection rate cannot reach 100%, which is related to the characteristics of the vaccine itself and the personal physique of the recipient. The vaccine can only prevent specific pathogens.

10

Which children can’t get this kind of vaccine?

(1) Those who are allergic to any ingredients contained in the vaccine (including auxiliary materials, formaldehyde, cracking agents and antibiotics) are prohibited from vaccination. Egg allergy is not recommended as a taboo for influenza vaccination.

(2) Patients with mild to moderate acute diseases with or without fever symptoms should be vaccinated after the symptoms subside.

* (For details, please refer to different vaccine instructions or the special clinic for immunization consultation in the lakeside campus of Zhejiang University Children’s Hospital, Tuesday afternoon, Wednesday and Thursday morning. )

In addition, there are still some contraindications and caution in vaccination. Parents should inform the doctor of the child’s medical history, allergy history and medication history before taking their children for vaccination.

Read the original text

　　[Cultural and Creative Horizon]

　　How do domestic films win audiences with fine products?

　　— — Film market survey in the first half of 2017

　　Guangming Daily reporter Villi

　　According to the latest data, the national box office revenue in the first half of the year totaled 27.17 billion yuan, including 16.71 billion yuan for imported films and 10.456 billion yuan for domestic films. What are the new features of China’s film box office? Why are domestic films inferior to imported films? How should the structural reform of China’s film supply side be promoted? The reporter conducted an investigation for this.

　　ⅰ. The game between domestic and imported domestic films accounted for only 38.5% of the box office.

　　Data In the first half of 2017, the box office of imported films totaled 16.717 billion yuan, and the box office of domestic films was 10.456 billion yuan. In the first half of 2017, the box office of imported films accounted for 61% of the domestic box office. Among them, there are 41 films with box office exceeding 100 million, 17 domestic films and 24 imported films.

　　Specifically, Speed and Passion 8 ranked first at the box office in the first half of the year with 2.49 billion yuan, and Kung Fu Yoga ranked second with 1.75 billion yuan.

　　In the first half of the year, domestic films with strong box office performance were basically concentrated in the Spring Festival file, and then the market leader was domestic films. In addition to the Spring Festival movies, the lack of "explosions" is an important reason why domestic movies are not satisfactory in recent months.

　　Domestic films are not as good as imported films at the box office, especially in March this year. In March, no domestic film grossed more than 100 million yuan, and the market share of imported films reached an astonishing 95.5%, completely monopolizing the mainland film market. In the following months, imported films have been the main box office. At present, among the top ten annual box office, only three domestic films, Kung Fu Yoga, Journey to the West, and Riding the Wind and Waves, occupy three seats.

　　Judging from the distribution of the overall box office interval, the number of films exceeding 500 million yuan in 2017 is very eye-catching, and the number of films exceeding 1 billion yuan reached 8 in the first half of the year, which is close to the achievement of 9 films in 2016 and much higher than the overall level in 2015, 2014 and 2013. This shows that there are many "heavyweight" products in this year’s film, and the performance is particularly eye-catching.

　　According to industry experts, another reason affecting the overall box office in the first half of the year is the asymmetry between the number and the single box office performance. In 2017, the fantasy genre took the lead with 470 million yuan, followed by action movies with 420 million yuan. Among the domestic films released, the top three types were comedy, thriller and love. As an action and science fiction film with obvious pull-up effect, subsequent domestic films need to make more efforts.

　　Not long ago, a movie "Transformers 5: The Last Knight" kicked off the summer movie file in 2017. Facing the upcoming summer file, domestic films are eager to try, and domestic and imported films will usher in a new round of game.

　　Ⅱ. Race between Speed and Quality. The effectiveness of film supply in China needs to be improved urgently.

　　Data The box office of Chinese movies was in 2003— During 2010, it took 8 years to increase from 900 million yuan to 10 billion yuan; It took three years to grow from 10 billion yuan to 20 billion yuan; From 20 billion yuan to 40 billion yuan, it only took two years. The growth of demand has led to the rapid growth of domestic films. In recent years, the number of domestic films has grown from less than 100 to more than 900, and the number of screens has grown from more than 3,000 to more than 40,000, with a rapid growth rate.

　　From a certain perspective, speed and quality are inherently a contradiction. While seeking speed, quality growth is easily overlooked.

　　"In 2016, the domestic box office was 45.7 billion yuan, and the overall box office growth slowed down, increasing by 3.7% year-on-year. In 2016, there was a negative growth in seven months. The first half of this year is coming to an end, and the growth of box office in China is still in a stalemate, especially from 3 to 3— — In May, overseas imported films occupied an absolute advantage, taking away more than 70% of the box office in March, April and May respectively. " Ren Zhonglun, Chairman and President of Shanghai Film Group, pointed out that the data shows that the demand for China films is growing, the supply is growing faster, and the availability of supply is declining.

　　2017— According to the Analysis Report on the Present Situation and Development Prospect of China Film Industry in 2022, in 2016, there were 1,612 new cinemas and 9,552 new screens in China. In 2016, the total number of screens in China has reached 41,179, surpassing the United States to become the country with the largest number of movie screens in the world.

　　The number of movies in China has increased, and the scale of cinemas has expanded, but the satisfaction of the audience and the satisfaction of demand have been reduced.

　　There is no increase, in fact, the efficiency of each cinema is also declining. How to speak with content and how to keep the audience in their seats with good stories has become an important issue and test for industrial development.

　　Experts pointed out that at present, domestic films mainly face three problems: one is the availability and quality of supply, the other is that the types are not diverse enough, and the most important thing is the lack of film and television works that can impress people and resonate with everyone.

　　"Socialist films with China characteristics should be made in Do not forget your initiative mind, and the excellent historical tradition, cultural accumulation and basic national conditions of China films should not be forgotten. The film should spread progressive ideas, inspire people and improve the quality of the Chinese nation. This is the initial intention of the film. " Chengxiang Zhong, the former vice chairman of the China Federation of Literary and Art Circles and a famous literary critic, pointed out at the film "Home" seminar a few days ago that we have shot a large number of films with major themes, but most of them are not aesthetically pleasing and artistic, so they cannot infect people or attract people. Without attraction and appeal, they lack communication power.

　　"China movies are not short of stories at first, nor are we unable to tell stories. I think stories and cultural creation have always been China’s strengths." Ren Zhonglun said that we are short of good scripts, talents and directors, and our comprehensive ability needs to be improved.

　　In the view of Jiang Wei, executive director of Gravitation Film and Television, it is not urgent to be a content industry: "If you invest in movies or content, if a fast-forward and fast-out method may not be suitable for this industry, this industry still needs to sink down and make a movie. Good things are made, not robbed. "

　　Ⅲ. Paradox between Great Powers and Powerful Countries; Domestic films should achieve breakthroughs with fine products.

　　Data In 2016, the total number of domestic films was 944, and 334 films were shown in cinemas. However, only 15 films scored more than 7 on Douban, and the film industry in China needs a "tempering". In 2016, China only watched movies once per capita, while North America saw 3.7 times. China has 30 screens per million people, while North America has 121 screens.

　　Faced with the growth of cinema and box office market, many people ask whether the number of movie screens in China is saturated.

　　"It is too early to talk about saturation at this point in time." Yu Xin, general manager of Dadi Cinema Group, pointed out that there is still a lot of room for growth in the number of screens and box office market in China in the future. We have just passed a rapid growth period and will enter a stable and relatively mature growth period, which has caused a mismatch between supply and demand.

　　After sturm und drang in the past few years, the film industry in China ushered in a turning point in 2016, with the growth rate dropping to single digits, and the once frenetic development instantly fell to freezing point. Correspondingly, the stock price of individual stocks in the film and television industry has collapsed, and film and television capital has entered a cold winter.

　　Ren Zhonglun believes that the cold winter of the film and television industry is due to the problems of shoddy production, single type and capital drive, and the lack of Wrestling! Dad, a movie that really touches people’s hearts and resonates. "Our supply has been growing, but the effectiveness of supply is declining. What we need to think about is how to improve the quality, effectiveness and rationality of the film supply structure, and how to make the film industry in China ‘ Pain point ’ Become ‘ Highlight ’ 。” Ren Zhonglun said.

　　Ren Zhonglun takes a set of data as an example to analyze. In 2016, the total number of domestic film productions reached 944, only one step away from the annual output of 1,000. Among them, 334 were shown in the cinema. China is already a big movie country, but "big" doesn’t mean "strong", and it lacks high-quality movies that can really satisfy the audience and classic works that can be remembered by the audience.

　　"Domestic films should respect the audience." Wang Zhonglei, vice chairman and CEO of Huayi Brothers, said that movie audiences in China are not young people who just want to entertain and don’t think, as described in big data. Their taste and judgment have been improved rapidly in recent years. Facing the slowdown of box office growth and the pressure of overseas blockbusters, there is only one way for China films to make a breakthrough, that is, to produce truly high-quality films and meet the demand of China film audiences for good films.

　　Guangming Daily (July 9, 2017, 07 edition)

April 28th this year is He Jiong’s 46th birthday, and it is also the annual release date of He Bang. Yesterday, # Who can get the No.1 on the list # got a hot search and became an online carnival with interactive star fans.

The so-called "He Bang", originally an easy term for rice circles, refers to the ranking of hot comments made by fans who helped their loved beans under Weibo on He Jiong’s birthday. Because it can directly reflect the real fan voice of the star, "He Bang" has become a witness to the change of entertainment flow in a certain sense.

By 2019, the total number of fans of entertainment stars on Weibo has reached nearly 20 billion. When the number of users is large enough and the fan economy is maturing, stars, fans, support and socialization are constantly colliding with new ways of playing.

Weibo is still the first platform for star powder interaction.

Every year, most entertainment circles celebrate He Jiong’s birthday. In He Laoshi’s comment area of Weibo on the same day, all kinds of traffic will meet, and fans will join the army of comments. The "He Bang" is comparable to the touchstone of entertainment popularity.

Similar to netizens calling for Shanzheng’s brother and Jiefan’s "sunset red group building" in Jay Chou, He Bang is another online social activity organized by fans spontaneously because of stars, which finally set off phenomenal network events. With the maturity of the pink circle culture and the participation of pan-entertainment users, new ways of interaction between stars and fans are constantly emerging.

According to statistics, the total number of fans of entertainment stars in Weibo has maintained rapid growth in the past three years: 12.8 billion in 2017, 16.7 billion in 2018 and 19.2 billion in 2019.

Weibo, as the largest open social platform, not only attracts stars to settle in, but also attracts their fans. 90% of the head stars have support clubs to open online support in Weibo, and there are 2,485 blue V certified support clubs. Among them, 30% are only in idolize, Weibo platform, and have never settled in other social products. In addition, there are 14,215 orange V certified fan stations and KOL.?

In addition to the fan base, Weibo has a large number of pan-entertainment users who are also willing to participate in the star-powder interaction and experience the fan play. As of June 2019, the number of celebrity classified super-words reached 180 million.

Xu Zhengchao and Jay Chou Chao who caused phenomenal network events (deadline: 21: 40 on April 29th).

Especially since the "Idol Year" in 2018, popular draft players represented by KUN and fans have formed a very sticky relationship with each other in Weibo through various forms of interaction, such as becoming iron powder, helping the star power list, editing and submitting videos. Idols also strengthened their popularity through Weibo after the draft and continued to suck powder.

These data show that Weibo is still firmly on the first platform of fan economy and star fan interaction. Online collective activities such as He Bang and other stars and fans can only take place on the Weibo platform.

"He Bang" forwarding area at 21: 40 on April 29th.

Why can only He Jiong’s birthday form a list?

In the domestic entertainment circle, He Jiong is unique. On the one hand, he has strong professionalism, deep qualifications and wide connections; On the other hand, He Laoshi has always been famous for his understanding and high emotional intelligence. His immortal friendship with artists of his peers and his love for younger artists are all talked about by everyone, and he is well-known in the circle.

Huang Lei once commented on He Jiong: "He has helped too many people in his life. Too many young people, the last "Happy Camp", He Laoshi felt good, he would recommend it to others, and there was no purpose. " The new generation of artists, more or less have been taken care of by He Jiong.

Weibo Hot Search # Happy Family Members Celebrate He Jiong’s Birthday #

Counting the "He Bang" over the years is almost the ups and downs of the latest top stream in the entertainment circle. If a play is a hit in a certain year, the birthday wishes issued by its leading actor are likely to appear at the forefront of the "He Bang" in the following year.

In the second half of 2016, Weibo launched the hot ranking function, so 2017 was the first year of Hebang, when TFBOYS occupied a popular highland;

In 2018, Jackson Yee and Karry are still in the top two, followed by LAY, Zhao Liying, Roy, Daxun Wei and Yang Mi. Shen Yue and Hu Yi Tian, starring in "To Our Simple Little Beauty", are in the forefront;

2019 is a year for He Bang to move towards the real popularity list, with more than 130 stars sending birthday wishes and comments exceeding one million. TFBOYS leads steadily. KUN, Chen Linong and Adam, who debuted in Idol Trainee, Lu Han and Wu Yifan, who have traditional traffic, Meng Mei Qi of Creation 101, and a group of florets, etc. have all squeezed into the list. Peng Yuchang Zifeng Zhang, who became popular with "Get My Brother Away" and further circled in "The Life I yearn for", has also been praised by netizens.

"He Bang" comment area at 21: 40 on April 29th.

This year, perhaps in order to keep a low profile in the epidemic year, He Jiong set up a hidden birthday in Weibo in advance. However, the birthday dynamic cards automatically released by Weibo system have still become the data battlefields for fans.

After the card was released, it won 30,000 comments and 180,000 likes in just ten minutes. Up to now, Weibo’s comments and comments on this article have both exceeded the display limit (1 million), and the praise has reached 33 million+.

As of 21: 40 on April 29th, He Jiong’s birthday was Weibo.

Yang Di quipped under Roy’s comments, "You are still popular, so you rushed to the front of me, obviously I came first." The profile shows that although it is very important to seize the initiative and gain the favor of passers-by, the final ranking of the "He Bang" is still heat.

In 2020, the "He Bang" champion will continue to be led by Jackson Yee Lian Lian and TFBOYS, and the crowd will form the first echelon. YiBo, R1SE and other artists who were active last year and had been on the same stage with He Jiong also ranked higher. Jackson Yee’s comments alone received 150,000 replies and 1.45 million likes.

The book "The Third Wave" once predicted the era of "production consumers", and star fans are typical production consumers-they interact with stars, have an impact on star brands, and together with stars, have communication influence and commercial value. At present, Weibo has successfully built a good fan ecosystem, and "He Bang" is just a microcosm of it.

He Jiong

　 　 Special feature of 1905 film network After eight years of sharpening the sword, The Assassin Nie Yinniang directed by Hou Xiaoxian has kept fans waiting for too long. Many people went to see Nie Yinniang for the fascination of "seeing Hou Xiaoxian on the big screen". Once again, he has appeared intensively in front of the media. He is 68 years old this year, and his face even shows the kindness of the elderly. However, his tone of speaking is still like taking the lead, and his tone is humble and peaceful but reveals sharp and heroic.

　

　　　 Back in 1997, the French director olivier assayas shot The Portrait of Hou Xiaoxian. Fifty-year-old Hou Xiaoxian, with clashing hair and a slight camel on his back, chewed betel nuts and smoked cigarettes. He talked with his neighbors and made tea, sometimes as cute as an urchin, sometimes full of piqueness, and sometimes talked about his inner loneliness and lamented his loss. As the leader of Taiwanese new films, Yang Dechang has long since passed away, and now only Hou Hsiao-hsien still inherits the mantle of China traditional culture as a mainstay.

　

What influenced his film style?

　

　　　 Tsui Hark once teased Hou Xiaoxian at the Hong Kong Film Festival held in Beijing recently: He talked about shooting martial arts for many years, and it was in the 1980s that he finally made his first film, which is also amazing. "Yes, Hou Xiaoxian wanted to shoot martial arts for 30 years, and for 8 years, the film was so full of classical Chinese and special amorous feelings of restoring history. In fact, this has something to do with his film style and obedience to classical legends. In the final analysis, Hou Xiaoxian loves reading too much.

　

　　　 I remember that when Zhu Tianwen, Hou Dao’s good partner, recalled seeing him for the first time, he said that he especially liked Kuniko Mukoda’s prose, and he was surprised. "The film industry can also read books!" Director Hou Hsiao-hsien, who has a rebellious spirit in the Jianghu, believes that he is a scum, but he has been fond of reading since childhood, and he reads what he catches, and the amount of reading is amazing. Since the fifth grade of primary school, Hou Xiaoxian has been fascinated by the world of martial arts novels, loved Jin Yong’s works most, rented all the bookshops near his school and home, and read all the martial arts rentals. It’s really a voracious reading. When he was in middle school, he began to read Japanese martial arts. When there was nothing to see after reading books and Hong Kong Kung Fu martial arts films, he had to plunge into the legend of the Tang Dynasty and continue to look for the ideal romantic excitement in the world of chivalrous men and recluses.

　

From Shen Congwen to Nie Yinniang, the legend of the Tang Dynasty has been brewing for 30 years

　

　　　 Hou Hsiao-hsien once mentioned Shen Congwen again and again in interviews, because he finally knew clearly how to make a film after reading Autobiography of Congwen recommended by Zhu Tianwen, which confirmed the changes he made in The Man from the Wind Cabin, and this film touched Jia Zhangke, a young man in the town, and made Xiaowu and Platform many years later. Driven by writing, Hou Hsiao-hsien maintained the mode of co-creation with literati for decades, and his partner with Zhu Tianwen became a beautiful talk in the circle. Later Acheng and now Haimeng Xie joined in, which shows Hou Hsiao-hsien’s respect for literature.

　

　　

　　　 According to Hou Hsiao-hsien’s experience, it seems natural to shoot Nie Yinniang the Assassin. In 1975, Hou Hsiao-hsien wrote the first play "The Peach Blossom Woman Fighting the Duke of Zhou", which was adapted from Yuan Zaju, and the second play "The Engagement Hall" came from the novels of the Tang Dynasty. He loved China’s folk art so much that he turned Taiwan Province’s puppet show into the legendary "Dream of Life" and put Zhang Ailing’s annotation and translation of the Qing novel "Flowers on the Sea" on the big screen, which made people fascinated by the exquisite tea, soup and hairpin in that lost time.

　

　　　 "Assassin Nie Yinniang" comes from the Tang Dynasty legend "Tai Ping Guang Ji". The original text is only a thousand words. As early as the 1980s, Hou Xiaoxian wanted to shoot Nie Yinniang. This name has been brewing in his mind for nearly 30 years. Wen-Ying Huang, his imperial art director, said: "Hou Dao first closed himself for a year, studied the history of the Tang Dynasty, and joined the screenwriter work in Zhu Tianwen and Haimeng Xie in the summer of 2009." . After years of polishing by Hou Hsiao-hsien, Zhu Tianwen, Acheng and Haimeng Xie, the script "Nie Yinniang the Assassin" with only 35 scenes and 8,000 words was finally formed.

Hou Xiaoxian’s Unique Martial Arts: Just for "Waiting for the Cloud to Arrive"

　

　　　 The immersion of Tang legends and martial arts novels not only endows Hou Xiaoxian with a natural chivalrous spirit, but also allows him to create a unique and Chinese chivalrous world. Shu Qi said that the director always waits when filming, and the long wait is only for the rising of a mountain fog. Hou Xiaoxian should not rely on the special effects in the later period, but want the emotional atmosphere in real time and space to diffuse naturally.

　

　　　 This way of filming continues the spirit of his idol Akira Kurosawa’s "waiting for the clouds to arrive", which is rare in today’s hurried world, so it stretches out the beautiful pictures of there seems to be no one on the empty mountain and and yet I think I hear a voice. In his swordsmen’s imagination, it’s not the satisfaction of the sword, but the absolute loneliness without the same kind, so don’t expect to see the complicated moves in traditional swordsmen’s films in Nie Yinniang, but kill yourself with one knife after a long wait, and compress time into zero degree space in an instant.

(text/cacao (tree)42）

At the intelligent strategy conference on February 10, BYD officially released the national intelligent driving strategy, announcing that all models will be equipped with advanced intelligent driving technology, covering the price range of 70,000 to 200,000. Among them, Eye of God C, as a smart driving scheme tailored by BYD for the public, has opened a new chapter in smart driving with its powerful functions and affordable prices. Wang Chuanfu, chairman and president of BYD Group, stressed at the press conference: "Good technology should be available to everyone!" This concept not only embodies BYD’s persistent pursuit of technology popularization, but also points out the direction for the intelligent development of China automobile industry.

Eye of God C is an important part of BYD’s Eye of God technology matrix. It is equipped with forward-looking tri-eye 5R12V sensing hardware and end-to-end control algorithm, achieving four leading positions in architecture, sensor, algorithm and data. Its high-speed navigation HNOA function can complete tasks such as up/down ramp, lane keeping and cruise driving on high-speed and urban expressway, which greatly improves the convenience and safety of driving. In addition, parking service AVP function makes users no longer have to worry about parking, and memory navigation MNOA provides intelligent services for high-frequency travel routes, such as starting and stopping traffic lights and passing through complex intersections. Help China brand to grow upward.

BYD Eye of God C not only performs well in function, but also sets an industry benchmark in safety. The high-speed navigation function can realize intelligent driving for more than 1,000 kilometers, and the AEB function can stop stably at 100km/h, and the AEB capability of 120 km/h and 140 km/h will be gradually released in the future, and the success rate of parking service is as high as 99%. These technologies provide users with all-round security, so that intelligent driving is no longer exclusive to high-end models, but really enters thousands of households.

BYD’s national intelligent driving strategy not only shows its strong strength in the field of intelligence, but also reflects its profound insight into consumer demand. With technological innovations such as blade battery and DM, BYD has taken the lead in the field of electrification, and in the field of intelligence, BYD has once again taken the lead in the industry through 4.4 million vehicle data equipped with L2 and above driver assistance, over 110,000 R&D engineers and the world’s largest new energy vehicle manufacturing system. In the future, BYD will continue to uphold the attitude of openness and cooperation, and work hand in hand with industry partners to jointly promote the global leadership of intelligent driving technology in China.

Special feature of 1905 film network "The audience loves to watch, the theater makes money, and investors are rushing to vote. This is what I think is the real spring of the film industry."

Walking into Alibaba Pictures, the most intuitive experience is full of sense of science and technology. In the massive industry data, Li Jie, vice president of Alibaba Group and president of Alibaba Pictures, has a keen insight into the audience’s enthusiasm for watching movies in China.

Faced with this enthusiasm, Alibaba Pictures chose to build powerful tools and platforms, and responded by investing in the production of high-quality content. With the strategy of "technology+content", he helped China films to go to the future and the world.

In order to thoroughly publicize and implement the spirit of the 20th National Congress of the Communist Party of China, on the occasion of the convening of the two sessions of the National People’s Congress, the film channel will launch at 22:00 every night from March 4th.》“Meeting room "is specially planned for the two sessions — — Dialogue spring.Lan Yu, the host, talked with the heads of China film leading enterprises and wrote a new look of China film from different angles.

In this program, Lan Yu talks with Li Jie, vice president of Alibaba Group and president of Alibaba Pictures, focusing on how to empower movies with science and technology, and talks about a new chapter in the development of film industrialization in China.

1.

Data insight industry

Accurately interpret the present and predict the future.

When it comes to Alibaba Pictures, the first thing that comes to mind is undoubtedly its Internet attributes.From the Taobao Film ticketing platform familiar to the users, to the data analysis of Lighthouse Professional Edition commonly used in the industry, the powerful network announcement ability not only provides Alibaba Pictures with an opportunity to understand the current changes in the film market, but also makes it possible to accurately predict the future trend.

With in-depth insight into the industry, Li Jie predicted last year that "the Spring Festival in 2023 will return strongly", as he expected.In 2023, the total box office of the Spring Festival reached 6.758 billion, ranking second in film history, with a total audience of nearly 130 million.

"The reason why we made this prediction is because we found through data analysis that although affected by the epidemic, the audience’s enthusiasm for watching movies has not declined. Last summer’s summer movies all achieved good results," Li Jie said."But in the end, the performance of this year’s Spring Festival file exceeded the expectations of practitioners and started the first shot of returning to work!"

The Spring Festival has ushered in a "good start", and the film market has recovered strongly, which has become a consensus in the industry to promote the overall development of the industry. Li Jie has provided an accurate interpretation from three dimensions: cinema, audience and creators.

First of all, from the cinema side, the total number of Spring Festival files is basically the same as the historical peak; Secondly, from the audience’s point of view, since the beginning of this year, the annual per capita number of movies has stopped falling and stabilized, which means that more and more audiences have returned to the cinema and regained their enthusiasm for watching movies.

Third, from the creative point of view, with the recovery of the market, filmmakers continue to strengthen their confidence, and the number of film and television projects that have entered the preparation, project establishment and shooting has also increased significantly.

Li Jie said with relief: "From the three dimensions of cinema, audience and creator, I feel that the spring of movies has really come!"

2.

Strengthen content construction

When the new film will be shown.

"Alibaba Pictures’s mission is to add technology and content."According to Li Jie, Alibaba Pictures has always insisted on continuous annotation and accurate control of high-quality content.

In 2018, Alibaba Pictures released the "Golden Orange Co-production Plan" based on high-quality content co-production, and announced that it would release 20 high-quality films in the next five years and four major schedules.

Now, in the past five years, the number of films has already exceeded 20, among which there are many excellent masterpieces that are applauded and hit the box office.When it comes to Alibaba Pictures’s new films to be shown this year, Li Jie is even more familiar.

On March 10, a comedy film directed and performed by itself will be the first to appear, directly hitting the hot topic of cyber violence and giving the audience warm and healing positive energy; On March 24th, a new work will also appear. As the first Japanese animated film introduced this year, it is expected to incite the market by word of mouth.

On April 7,The spirit of the dragon and the horse will be shown.In which he plays a former action star, not only as a true character, but also as a tribute to all the dragon and tiger martial artists in the film industry.

The next May Day stalls and Dragon Boat Festival stalls will have "The King of the Sky" respectively.And new films such as "Disappeared She" are coming strongly.

"King of the Sky" focuses on the test pilot group, showing the blood and responsibility of the younger generation of China Air Force. Li Jie revealed that during the filming process, the crew overcame many difficulties and introduced virtual shooting technology. The creative process also embodies the strong willpower of filmmakers to overcome difficulties.

"Unfamiliar Road of Life" will explore the type of "road comedy" and lead the audience to "go on the road" happily; "She Disappeared" will deepen the creation of suspense films and is expected to continue to push up the type ceiling.

As the second largest schedule in the whole year, summer vacation is also a battleground for all families. Films with diverse themes and types will be presented together to continuously meet the audience’s viewing needs.

In Li Jie’s view, if China’s film industry wants to achieve a comprehensive recovery, it can’t just rely on the Spring Festival file to stand out, but use a steady supply of excellent films to create countless "weekend files". "We should use good works to let the audience enter the cinema every weekend and regard watching movies on weekends as a sense of ceremony. This is what we filmmakers should do."

3.

Technology-enabled movies

Promote the industrialization and upgrading of the film industry

It was born four years ago, which marked the rise of science fiction movies in China, and made "film industrialization" become the focus of industrial attention. This year’s Spring Festival file has achieved good results again, and behind the shocking visual effect is the rapid take-off of China’s film industrialization level.

Li Jie concluded: "In recent years, China movies have been talking about five words — — Film industrialization’. " In his view, how to realize industrialization should be divided into two major paths.

The first is the shooting and production of heavy industry films. In recent years, the domestic heavy industry sci-fi films represented by The Wandering Earth and Moon Man have been comparable to Hollywood blockbusters in terms of special effects, which has also promoted the comprehensive innovation of the whole industry in shooting technology and projection technology.

In the future, Alibaba Pictures will continue to support the creation of domestic heavy industry films, and it is expected to cooperate with China Film again to launch another domestic sci-fi blockbuster in the Spring Festival three years later.

Second, film industrialization should also be reflected in the process and systematization of film production management. Alibaba Pictures also hopes to provide tools and platforms for practitioners through lighthouse, Yunshang production and frame-sharing virtual shooting technology, so as to improve the industrialization level of production management.

Report to the 20th CPC National Congress of the Communist Party of China proposed to strengthen the influence of Chinese civilization, stick to the position of Chinese culture, tell the story of China well, spread the voice of China well, show a credible, lovely and respectable image of China, and promote Chinese culture to the world better.

Li Jie also revealed that Alibaba Pictures will launch a selection plan for young Chinese directors around the world this year to support young directors with international vision and overseas film education background to complete the creation of the first commercial feature film in China.

"Let people who know the world audience tell the story of China well, encourage them to combine Chinese culture with international vision, and really push China films out," Li Jie said.

Looking to the future, Alibaba Pictures will continue to adhere to the two-wheel drive strategy of "technology+content", serve the industry with powerful tools and platforms, respond to the audience’s enthusiasm for watching movies with fine content, promote the industrialization of China films and tell the world the story of China.

As Li Jie described it, spring is not far away, and we will have a fiery summer and a bumper autumn.

　　[Original news of Aika automobile industry]

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